• ADVERTISEMENT

    How to Introduce Podcasting to the Journalism Classroom

    by Jane Bannester
    March 29, 2018
    Students Tristan Talton, left, and Devon Hutson of Ritenour High School work on their podcast series "Things That Suck." (Photo: Jane Bannester)

    Listen to Ritenour High School broadcast adviser Jane Bannester and her students talk about their adventures in podcasting — what they’ve learned and how they’ve grown personally — in their own voices.

    I love new trends in broadcasting, and nothing is hotter today than podcasting, those episodic audio or video programs available for download by an audience.

    "The value of podcasting reaches much further than the products students create."

    Despite terrestrial radio’s consistent hold on listeners, podcasting has seen an ever-present increase of listeners with 21-24 percent growth year-over-year. Can you believe the largest growth is coming from the age 18-34 demographic?

    ADVERTISEMENT

    When we see a media gaining ground in culture, it’s the right moment to invest a staff’s time and resources into becoming prolific in that medium, and that’s what we’ve done at Ritenour High School to build students’ skills and their confidence as journalists.

    Thinking Specifically About Format

    First, we must understand that podcasts are very specific, topic-oriented shows. I consider them comparable to magazines; my students get that concept. Creating too big of a topic can leave students disoriented about what to share with their audience. Keep it simple, yet leave room for multiple episodes.

    The KRHS program at Ritenour High School offers students the option to focus on a specific beat for the semester. Within each beat, we offer multiple programs:

    ADVERTISEMENT

    Once students connect with a group and are assigned a podcasting topic, they take on the role of reporters with ease. They love interviewing and talking with fellow students, once they get over those first-time jitters.

    Managing the Equipment

    You are only as good as your microphone. With the increase in audio recording, many companies have jumped on the bandwagon to create easily accessible and affordable equipment. B&H Audio and Video has made purchasing easier by providing bundled deals for podcast beginners.

    If you’re interested in moving beyond your classroom walls, consider using handheld recorders like the Zoom brand. After my students used these once, they never wanted to use anything else.

    The Test: Would you listen to it?

    It’s the first question I want students to ask themselves about a podcast: Would you listen to it? Don’t create a piece for a class project; create it for an audience. Asking your audience to listen is much more difficult when they have so many other options.

    When my students start, I keep them to two minutes of content. With amateur content, it’s a good rule of thumb. Keeping it shorter will help learners create a concise message.

    Junior Justin Lopez writes his sports broadcast before recording his podcast. (Photo: Israel Rendon)

    Does it leave me with new information? Have I gotten a new understanding on a topic that I didn’t have before? Can I see a different point of view that I never considered? These are all questions students can ask of their product to see if it’s worth listening to.

    Still, There Are Challenges

    Students say the hardest part of podcasting is putting the story together. (When is that not the hardest part for students?)

    Some students prefer to start with questions: what do I want to know more about the topic? Who are the most important people who can answer these questions? Others need to start with research on a topic: if I’m looking into racial diversity in St. Louis, I need to look at the history and find data that supports the premise that this is a long-standing problem.

    From there, I ask students to show the emotion behind the story. For me, it’s a major part of why I love podcasts. Hearing people share their personal truth makes it worth listening to. With an audio story, people speak freely, while facing a camera can seem more intrusive. This concept resonates with students when they are doing audio stories.

    Editing, Editing and More Editing

    I tell my students that the editing software has a short list of requirements. Basics include cutting audio, adding and overlaying tracks, and mixing sound levels. Audacity has been a staple for podcasting in my room since we began 10 years ago. It conveniently allows you to perform the basics, while still retaining some editing freedom.

    For those wanting to use a Cloud software option with a Chromebook, or those who have multiple students who need to access a project, my students love using Soundtrap. It performs like Macintosh’s Garageband with added sound effects and instrumentals.

    Hosting a Podcast

    The boom in podcasting has brought a boom in hosting providers. Options like Soundcloud, Podbean or Podomatic allow for free websites or cheap pricing for yearly subscriptions. You can also use YouTube if you choose to make the sound files into videos with a photo or your logo in the background.

    Senior Arieon Thomas-Smith, front, works with newest member Junior Isaiah Fowler on using audio editing software. (Photo: Israel Rendon)

    Capitalizing on the Cool Factor

    The value of podcasting reaches much further than the products students create. My students are amazing speakers, can navigate interviews with the proficiency of a pro, and they are growing confident as they hear themselves profess their thoughts.

    This trendy medium can be a gateway to strengthening core journalistic skills, but the great thing is, most of my kids never know it. They just think they are being cool!

    Jane Bannester works for the Ritenour School District, in St. Louis, Mo. Currently she teaches the nationally awarded KRHS Media program. Jane speaks locally and nationally on topics of Podcasting and Drone journalism. In 2017, Jane was recognized as the Missouri Journalism Educator of the Year,  a recognized Broadcast Advisor by the Journalism Education Association, and made the 2017 MediaShift EducationShift20 list for innovative scholastic journalism educators.

    Tagged: amateur content audio audio and video audio stories audio storytelling high school broadcasting high school journalism podcast podcasting
  • About EducationShift

    EducationShift aims to move journalism education forward with coverage of innovation in the classroom as journalism and communications schools around the globe are coping with massive technological change. The project includes a website, bi-weekly Twitter chats at #EdShift, mixers and workshops, and webinars for educators.
    Amanda Bright: Education Curator
    Mark Glaser: Executive Editor
    Design: Vega Project

    MediaShift received a grant from the Knight Foundation to revamp its EducationShift section to focus on change in journalism education.
  • ADVERTISEMENT
  • ADVERTISEMENT
  • Who We Are

    MediaShift is the premier destination for insight and analysis at the intersection of media and technology. The MediaShift network includes MediaShift, EducationShift, MetricShift and Idea Lab, as well as workshops and weekend hackathons, email newsletters, a weekly podcast and a series of DigitalEd online trainings.

    About MediaShift »
    Contact us »
    Sponsor MediaShift »
    MediaShift Newsletters »

    Follow us on Social Media

    @MediaShiftorg
    @Mediatwit
    @MediaShiftPod
    Facebook.com/MediaShift